Keth Lv 7VIII (Ket 12)
Beatrice La Farge (ed.) 2017, ‘Ketils saga hœngs 12 (Ketill hœngr, Lausavísur 7)’ in Margaret Clunies Ross (ed.), Poetry in fornaldarsögur. Skaldic Poetry of the Scandinavian Middle Ages 8. Turnhout: Brepols, p. 562.
Feigr ‘Doomed’
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feigr (adj.; °compar. -ari/ri): fated to die, fey, dead
er ‘is’
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2. vera (verb): be, is, was, were, are, am
nú ‘now’
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nú (adv.): now
Finnr ‘Saami’
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Finnr (noun m.): Saami (person)
notes
[2] inn ragi Finnr ‘the cowardly Saami’: Cf. Ket 5/6.
inn ‘the’
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2. inn (art.): the
notes
[2] inn ragi Finnr ‘the cowardly Saami’: Cf. Ket 5/6.
ragi ‘cowardly’
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ragr (adj.; °superl. -astr): [perverted, minded]
notes
[2] inn ragi Finnr ‘the cowardly Saami’: Cf. Ket 5/6.
hann ‘he’
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hann (pron.; °gen. hans, dat. honum; f. hon, gen. hennar, acc. hana): he, she, it, they, them...
fót ‘treads’
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1. fótr (noun m.): foot, leg < fóttroða (verb)
treðr ‘underfoot’
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troða (verb): tread < fóttroða (verb)
flein ‘arrow’
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fleinn (noun m.; °dat. fleini): spear
sinn ‘his own’
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3. sinn (pron.; °f. sín, n. sitt): (refl. poss. pron.)
rangan ‘crooked’
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rangr (adj.): wrong, false
Interactive view: tap on words in the text for notes and glosses
This stanza is introduced by the words Ketill mælti ‘Ketill spoke’. It refers to Gusi’s impending doom. His remaining arrow (fleinn) appears to him to be crooked; he attempts to straighten it by stepping on it, which gives Ketill the chance to kill him. The saga relates that Gusi’s brother Brúni had caused his arrow to appear crooked by means of magic, in order that Gusi should die in any hostile encounter in which he engaged and in order that Brúni should succeed him as king. As a result of his victory over Gusi, Ketill gains possession of his excellent sword Dragvendill (Ket 36-7, 39-41 below) and of Gusi’s three arrows Flaug ‘Flight’, Hremsa ‘Shaft’ and Fífa ‘Arrow’ (see Ket 26-7).
Finnur Jónsson (Skj B) unnecessarily emends all the pronouns and the verb form er in l. 1 from 3rd pers. sg. to 2nd pers. sg. in order to present the half-stanza as direct speech. — Alliteration on <f> is used in both long-lines of this stanza.
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