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skaldic

Skaldic Poetry of the Scandinavian Middle Ages

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Þhorn Gldr 9I

Edith Marold (ed.) 2012, ‘Þorbjǫrn hornklofi, Glymdrápa 9’ in Diana Whaley (ed.), Poetry from the Kings’ Sagas 1: From Mythical Times to c. 1035. Skaldic Poetry of the Scandinavian Middle Ages 1. Turnhout: Brepols, p. 90.

Þorbjǫrn hornklofiGlymdrápa
89

‘nor’

(not checked:)
né (conj.): nor

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œðri ‘more excellent’

(not checked:)
œðri (adj. comp.): nobler, higher

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konung ‘of royal descent’

(not checked:)
konungr (noun m.; °dat. -i, -s; -ar): king < konungmaðr (noun m.): king

[2] konungmanna: so 761aˣ, konunga Flat

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manna ‘man’

(not checked:)
maðr (noun m.): man, person < konungmaðr (noun m.): king

[2] konungmanna: so 761aˣ, konunga Flat

notes

[3-4] und gamlan gnapstól sólar ‘under the old jutting seat of the sun [SKY/HEAVEN]’: The description of the sky or heaven as ‘old’ might imply an image of the end of the world , especially since the topos of the ruler being beyond comparison (see Holtsmark 1927, 53-4; Marold 1993c, 103-4) found in this stanza is connected with the end of the world in other skaldic poetry: as long as the world endures, no better ruler will appear. The most closely related passage may be Hfr ErfÓl 27/1-4, while Eyv Hák 20/1-3 expresses incomparability by using a different (pagan) vision of the end of the world.

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gjǫfli ‘for generosity’

(not checked:)
gjǫfli (noun f.): generosity, munificence

notes

[3] rœmðr gjǫfli ‘renowned for generosity’: This can be regarded as appealing to the ruler’s generosity, and as such argues for placing the stanza at the end of the poem; see Holtsmark (1927, 53).

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rœmðr ‘renowned’

(not checked:)
-rœmðr (adj.): [renowned]

notes

[3] rœmðr gjǫfli ‘renowned for generosity’: This can be regarded as appealing to the ruler’s generosity, and as such argues for placing the stanza at the end of the poem; see Holtsmark (1927, 53).

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und ‘under’

(not checked:)
3. und (prep.): under, underneath

notes

[3-4] und gamlan gnapstól sólar ‘under the old jutting seat of the sun [SKY/HEAVEN]’: The description of the sky or heaven as ‘old’ might imply an image of the end of the world , especially since the topos of the ruler being beyond comparison (see Holtsmark 1927, 53-4; Marold 1993c, 103-4) found in this stanza is connected with the end of the world in other skaldic poetry: as long as the world endures, no better ruler will appear. The most closely related passage may be Hfr ErfÓl 27/1-4, while Eyv Hák 20/1-3 expresses incomparability by using a different (pagan) vision of the end of the world.

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gamlan ‘the old’

(not checked:)
gamall (adj.; °gamlan; compar. & superl. „ ellri adj.): old

kennings

gamlan gnapstól sólar.
‘the old jutting seat of the sun. ’
   = SKY/HEAVEN

the old jutting seat of the sun. → SKY/HEAVEN

notes

[3-4] und gamlan gnapstól sólar ‘under the old jutting seat of the sun [SKY/HEAVEN]’: The description of the sky or heaven as ‘old’ might imply an image of the end of the world , especially since the topos of the ruler being beyond comparison (see Holtsmark 1927, 53-4; Marold 1993c, 103-4) found in this stanza is connected with the end of the world in other skaldic poetry: as long as the world endures, no better ruler will appear. The most closely related passage may be Hfr ErfÓl 27/1-4, while Eyv Hák 20/1-3 expresses incomparability by using a different (pagan) vision of the end of the world.

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gnap ‘jutting’

(not checked:)
gnapa (verb): bend forward, tower < gnapstóll (noun m.)

kennings

gamlan gnapstól sólar.
‘the old jutting seat of the sun. ’
   = SKY/HEAVEN

the old jutting seat of the sun. → SKY/HEAVEN

notes

[3-4] und gamlan gnapstól sólar ‘under the old jutting seat of the sun [SKY/HEAVEN]’: The description of the sky or heaven as ‘old’ might imply an image of the end of the world , especially since the topos of the ruler being beyond comparison (see Holtsmark 1927, 53-4; Marold 1993c, 103-4) found in this stanza is connected with the end of the world in other skaldic poetry: as long as the world endures, no better ruler will appear. The most closely related passage may be Hfr ErfÓl 27/1-4, while Eyv Hák 20/1-3 expresses incomparability by using a different (pagan) vision of the end of the world.

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stól ‘seat’

(not checked:)
1. stóll (noun m.; °-s, dat. -i/-; -ar): seat, throne < gnapstóll (noun m.)

kennings

gamlan gnapstól sólar.
‘the old jutting seat of the sun. ’
   = SKY/HEAVEN

the old jutting seat of the sun. → SKY/HEAVEN

notes

[3-4] und gamlan gnapstól sólar ‘under the old jutting seat of the sun [SKY/HEAVEN]’: The description of the sky or heaven as ‘old’ might imply an image of the end of the world , especially since the topos of the ruler being beyond comparison (see Holtsmark 1927, 53-4; Marold 1993c, 103-4) found in this stanza is connected with the end of the world in other skaldic poetry: as long as the world endures, no better ruler will appear. The most closely related passage may be Hfr ErfÓl 27/1-4, while Eyv Hák 20/1-3 expresses incomparability by using a different (pagan) vision of the end of the world.

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Haraldr ‘Haraldr’

(not checked:)
Haraldr (noun m.): Haraldr

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sólar ‘of the sun’

(not checked:)
sól (noun f.; °-ar, dat. -u/-; -ir): sun

[4] sólar: sóla Flat, 761aˣ

kennings

gamlan gnapstól sólar.
‘the old jutting seat of the sun. ’
   = SKY/HEAVEN

the old jutting seat of the sun. → SKY/HEAVEN

notes

[3-4] und gamlan gnapstól sólar ‘under the old jutting seat of the sun [SKY/HEAVEN]’: The description of the sky or heaven as ‘old’ might imply an image of the end of the world , especially since the topos of the ruler being beyond comparison (see Holtsmark 1927, 53-4; Marold 1993c, 103-4) found in this stanza is connected with the end of the world in other skaldic poetry: as long as the world endures, no better ruler will appear. The most closely related passage may be Hfr ErfÓl 27/1-4, while Eyv Hák 20/1-3 expresses incomparability by using a different (pagan) vision of the end of the world.

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Interactive view: tap on words in the text for notes and glosses

In HarHárf in Flat these four lines comprise the first helmingr of a stanza of which the second helmingr is ll. 1-4 of st. 5. The stanza appears following st. 3; see Context to st. 3.

The content of the stanza, praise addressed directly to the king, differs from that of other stanzas of Gldr. It may be the stef ‘refrain’ of the drápa (Vogt 1930a, 172; Engster 1983, 204; Naumann 1998, 239), or it may be a grand finale as in Skj, Skald and this edn (on this see Holtsmark 1927, 53). Fidjestøl (1982, 191) also considers whether the stanza might properly appear at the beginning and offers Arn Hryn 3II for comparison. This is unlikely, however, because the stanza lacks the typical motifs of introductory stanzas, such as a call for a hearing or an announcement of a poem.

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