Edith Marold (ed.) 2017, ‘Hofgarða-Refr Gestsson, Poem about Gizurr gullbrárskáld 2’ in Kari Ellen Gade and Edith Marold (eds), Poetry from Treatises on Poetics. Skaldic Poetry of the Scandinavian Middle Ages 3. Turnhout: Brepols, p. 255.
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opt (adv.): often
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jǫrð (noun f.; °jarðar, dat. -u; jarðir/jarðar(DN I (1367) 304)): ground, earth
[1] jarðar: so all others, ‘[...]rþar’ R
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jǫrð (noun f.; °jarðar, dat. -u; jarðir/jarðar(DN I (1367) 304)): ground, earth
[1] jarðar: so all others, ‘[...]rþar’ R
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jǫrð (noun f.; °jarðar, dat. -u; jarðir/jarðar(DN I (1367) 304)): ground, earth
[1] jarðar: so all others, ‘[...]rþar’ R
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2. leiptr (noun f.): lightning
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2. leiptr (noun f.): lightning
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2. vera (verb): be, is, was, were, are, am
[2] es ‘has’: Lit. ‘is’. A monosyllabic finite verb (here es ‘is’) does not usually carry alliteration and full stress, but Kock (NN §2070D) has collected a few examples in which such verbs can do so in line-initial position (see also Gade 1995a, 122-3).
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Baldr (noun m.): [Baldr, Baldur]
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hníga (verb): sink, fall
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skáld (noun n.; °-s; -): poet
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hollr (adj.; °compar. -ari, superl. -astr): loyal
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heilagr (adj.; °helgan; compar. -ari, superl. -astr): holy, sacred
[3] helgu fulli: helgum fullum U
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hrafn (noun m.; °hrafns; dat. hrafni; hrafnar): raven < hrafnáss (noun m.)
[4] hrafnásar: so Tˣ, W, U, ‘hrafnalar’ R, ‘hranna lar’ B
[4] hrafnásar ‘of the raven-god [= Óðinn]’: This periphrasis for Óðinn is only attested here and in Þjóð Haustl 4/4 (see Note to Þjóð Haustl 4/3, 4). It is possible that Hofgarða-Refr knew Þjóðólfr’s poem (cf. Þjóð Haustl 4/3 helgum skutli ‘the holy trencher’ and helgu fulli ‘the holy cup’ in l. 3 above).
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hrafn (noun m.; °hrafns; dat. hrafni; hrafnar): raven < hrafnáss (noun m.)
[4] hrafnásar: so Tˣ, W, U, ‘hrafnalar’ R, ‘hranna lar’ B
[4] hrafnásar ‘of the raven-god [= Óðinn]’: This periphrasis for Óðinn is only attested here and in Þjóð Haustl 4/4 (see Note to Þjóð Haustl 4/3, 4). It is possible that Hofgarða-Refr knew Þjóðólfr’s poem (cf. Þjóð Haustl 4/3 helgum skutli ‘the holy trencher’ and helgu fulli ‘the holy cup’ in l. 3 above).
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2. Áss (noun m.; °áss, dat. ási/ás; ásar): god < hrafnáss (noun m.)
[4] hrafnásar: so Tˣ, W, U, ‘hrafnalar’ R, ‘hranna lar’ B
[4] hrafnásar ‘of the raven-god [= Óðinn]’: This periphrasis for Óðinn is only attested here and in Þjóð Haustl 4/4 (see Note to Þjóð Haustl 4/3, 4). It is possible that Hofgarða-Refr knew Þjóðólfr’s poem (cf. Þjóð Haustl 4/3 helgum skutli ‘the holy trencher’ and helgu fulli ‘the holy cup’ in l. 3 above).
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2. Áss (noun m.; °áss, dat. ási/ás; ásar): god < hrafnáss (noun m.)
[4] hrafnásar: so Tˣ, W, U, ‘hrafnalar’ R, ‘hranna lar’ B
[4] hrafnásar ‘of the raven-god [= Óðinn]’: This periphrasis for Óðinn is only attested here and in Þjóð Haustl 4/4 (see Note to Þjóð Haustl 4/3, 4). It is possible that Hofgarða-Refr knew Þjóðólfr’s poem (cf. Þjóð Haustl 4/3 helgum skutli ‘the holy trencher’ and helgu fulli ‘the holy cup’ in l. 3 above).
Interactive view: tap on words in the text for notes and glosses
In Skm (SnE), the helmingr is cited among stanzas that illustrate kennings for Óðinn (here, hrafnáss ‘raven-god’).
[2-3]: Earlier eds have taken skaldi (n. dat. sg.) ‘the skald’ with hniginn ‘fallen’ (p. p. of hníga ‘fall (in battle), pass away, topple, bend down’), sometimes in the sense of ‘passed away from the skald’ (cf. Skj B: nu er manden død fra skjalden (mig) ‘now the man has passed away from the skald (me)’; Clunies Ross 2005a, 61 ‘is departed from the poet’). However, neither hníga nor deyja ‘die’ is attested with a dat. object in the sense of ‘pass away from sby, leave sby behind’. Kock (NN §2463E) compares hníga e-m with falla e-m which he translates as falla för ngns hand ‘fall by sby’s hand’, which would mean that Hofgarða-Refr had killed Gizurr. Faulkes (SnE 1998, II, 315) entertains both of these possibilities. In the present edn, skaldi is taken as a dat. with the adj. hollr ‘loyal, faithful, well-disposed towards sby’, which is regularly construed with the dat. (Fritzner: hollr 1). The sense is that the skald (Hofgarða-Refr) laments the fact that the man (Gizurr) who was loyal to him and taught him the art of skaldic composition has fallen in battle.
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