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Skaldic Poetry of the Scandinavian Middle Ages

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Anon Lil 55VII

Martin Chase (ed.) 2007, ‘Anonymous Poems, Lilja 55’ in Margaret Clunies Ross (ed.), Poetry on Christian Subjects. Skaldic Poetry of the Scandinavian Middle Ages 7. Turnhout: Brepols, pp. 624-6.

Anonymous PoemsLilja
545556

eingilsins ‘of the angel’

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1. engill (noun m.; °engils; englar): angel

[1] eingilsins: ‘eingelsis’ 713

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kvenmann ‘the woman’

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kvennmaðr (noun m.): [woman]

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kvadda ‘she who was greeted’

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2. kveðja (verb; kvaddi): (dd) request, address, greet

[2] kvadda: kvað 622, kvaddan 4892

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af ‘by’

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af (prep.): from

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eingli ‘the angel’

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1. engill (noun m.; °engils; englar): angel

[2] eingli: eingli enn 622

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gladdi ‘made glad’

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gleðja (verb): gladden, rejoice

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gladdiz ‘rejoiced’

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gleðja (verb): gladden, rejoice

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þá ‘’

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2. þá (adv.): then

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er ‘when’

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2. er (conj.): who, which, when

[3] er: om. 99a, Vb, 41 8°ˣ, 705ˣ

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föðurinn ‘to the Father’

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faðir (noun m.): father

[3] föðurinn: frelsarann Vb, 41 8°ˣ, 705ˣ

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fæddan ‘who was born’

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2. fœða (verb): to feed, give food to, bring up, bear, give birth to

[4] fæddan: fæddi hun 99a

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sveininn ‘the boy’

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sveinn (noun m.; °sveins; sveinar): boy, servant, attendant

[4] sveininn: sveinn og 99a, sveinn í 622, sveinn hun Vb, 41 8°ˣ

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reifum ‘in swaddling clothes’

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reif (noun f.; °; -ar): swaddling clothes

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klæddi ‘she clothed’

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klæða (verb): clothe

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Klæddan ‘The one clothed in swaddling’

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klæða (verb): clothe

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með ‘with’

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með (prep.): with

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laungum ‘for a long time’

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langr (adj.; °compar. lengri, superl. lengstr): long

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leiddi ‘she carried’

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2. leiða (verb; -dd): lead; (-sk) grow tired

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leiddr ‘Led’

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2. leiða (verb; -dd): lead; (-sk) grow tired

notes

[6] leiddr á krossinn, faðminn breiddi ‘led onto the cross, he opened his embrace’: The reading of Bb, which conforms to the rhetorical pattern of the rest of the st. and refocuses attention on the Crucifixion after the flashback to Jesus’ infancy in ll. 1-5; other mss have af móður ‘by the mother’ instead of á krossin, and this unlikely reading has been followed by Skj B and Skald. There is no tradition of Jesus being led from his mother, and the phrase makes little sense in context, whereas the concept of him being ‘led’ to the Cross is familiar from the gospels (Matt. XXVII.31, Mark XV.20, Luke XXIII.26, John XVIII.28), where it echoes the Old Testament image of the lamb led to the slaughter (Isa. LIII.7 and Jer. XI.19, quoted in Acts VIII.32). The image of the crucified Christ’s arms opened to embrace is a common topos in medieval devotional literature. Cf. the Icel. homily for the Feast of the Holy Cross: Rétte haɴ fra ſér báþar hendr a croſſenom. þuiat haɴ býþr faþm miſcvɴar ſiɴar. ꜵʟ þeim er haɴ elſca ‘He stretches both his arms on the cross, because he offers the embrace of his mercy to all those whom he loves’ (HómÍsl 1993, 17v) and the C13th penitential hymn Memorans novissima: Caput habet pendulum / ad te deosculandum / et extenta brachia / te ad amplexandum ‘He holds his head pendulously in order to kiss you, and extends his arms to embrace you’ (AH 46, 342). This idiom also appears with a different sense in 16/3 as well as in several ON prose works. See Kommentar 2000, III, 570-2. In Stjórn it is used in a discussion of how to catch a unicorn: þa setia menn eina skæra ok uskadda iungfru moti þi dyri, huer er sinn fadm skal breida moti þi ‘then men place a pure and untarnished virgin before the animal, who shall open her embrace to it’ (Unger 1860, 70).

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á ‘onto’

(not checked:)
3. á (prep.): on, at

[6] á: af 99a, 622, Vb, 41 8°ˣ, 705ˣ, 4892

notes

[6] leiddr á krossinn, faðminn breiddi ‘led onto the cross, he opened his embrace’: The reading of Bb, which conforms to the rhetorical pattern of the rest of the st. and refocuses attention on the Crucifixion after the flashback to Jesus’ infancy in ll. 1-5; other mss have af móður ‘by the mother’ instead of á krossin, and this unlikely reading has been followed by Skj B and Skald. There is no tradition of Jesus being led from his mother, and the phrase makes little sense in context, whereas the concept of him being ‘led’ to the Cross is familiar from the gospels (Matt. XXVII.31, Mark XV.20, Luke XXIII.26, John XVIII.28), where it echoes the Old Testament image of the lamb led to the slaughter (Isa. LIII.7 and Jer. XI.19, quoted in Acts VIII.32). The image of the crucified Christ’s arms opened to embrace is a common topos in medieval devotional literature. Cf. the Icel. homily for the Feast of the Holy Cross: Rétte haɴ fra ſér báþar hendr a croſſenom. þuiat haɴ býþr faþm miſcvɴar ſiɴar. ꜵʟ þeim er haɴ elſca ‘He stretches both his arms on the cross, because he offers the embrace of his mercy to all those whom he loves’ (HómÍsl 1993, 17v) and the C13th penitential hymn Memorans novissima: Caput habet pendulum / ad te deosculandum / et extenta brachia / te ad amplexandum ‘He holds his head pendulously in order to kiss you, and extends his arms to embrace you’ (AH 46, 342). This idiom also appears with a different sense in 16/3 as well as in several ON prose works. See Kommentar 2000, III, 570-2. In Stjórn it is used in a discussion of how to catch a unicorn: þa setia menn eina skæra ok uskadda iungfru moti þi dyri, huer er sinn fadm skal breida moti þi ‘then men place a pure and untarnished virgin before the animal, who shall open her embrace to it’ (Unger 1860, 70).

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krossinn ‘the cross’

(not checked:)
kross (noun m.; °-, dat. -i; -ar): cross, crucifix

[6] krossinn: móður og 99a, 622, 705ˣ, móður 713, Vb, 41 8°ˣ, 4892

notes

[6] leiddr á krossinn, faðminn breiddi ‘led onto the cross, he opened his embrace’: The reading of Bb, which conforms to the rhetorical pattern of the rest of the st. and refocuses attention on the Crucifixion after the flashback to Jesus’ infancy in ll. 1-5; other mss have af móður ‘by the mother’ instead of á krossin, and this unlikely reading has been followed by Skj B and Skald. There is no tradition of Jesus being led from his mother, and the phrase makes little sense in context, whereas the concept of him being ‘led’ to the Cross is familiar from the gospels (Matt. XXVII.31, Mark XV.20, Luke XXIII.26, John XVIII.28), where it echoes the Old Testament image of the lamb led to the slaughter (Isa. LIII.7 and Jer. XI.19, quoted in Acts VIII.32). The image of the crucified Christ’s arms opened to embrace is a common topos in medieval devotional literature. Cf. the Icel. homily for the Feast of the Holy Cross: Rétte haɴ fra ſér báþar hendr a croſſenom. þuiat haɴ býþr faþm miſcvɴar ſiɴar. ꜵʟ þeim er haɴ elſca ‘He stretches both his arms on the cross, because he offers the embrace of his mercy to all those whom he loves’ (HómÍsl 1993, 17v) and the C13th penitential hymn Memorans novissima: Caput habet pendulum / ad te deosculandum / et extenta brachia / te ad amplexandum ‘He holds his head pendulously in order to kiss you, and extends his arms to embrace you’ (AH 46, 342). This idiom also appears with a different sense in 16/3 as well as in several ON prose works. See Kommentar 2000, III, 570-2. In Stjórn it is used in a discussion of how to catch a unicorn: þa setia menn eina skæra ok uskadda iungfru moti þi dyri, huer er sinn fadm skal breida moti þi ‘then men place a pure and untarnished virgin before the animal, who shall open her embrace to it’ (Unger 1860, 70).

Close

faðminn ‘his embrace’

(not checked:)
faðmr (noun m.; °-s, dat. -i/-; -ar): embrace

notes

[6] leiddr á krossinn, faðminn breiddi ‘led onto the cross, he opened his embrace’: The reading of Bb, which conforms to the rhetorical pattern of the rest of the st. and refocuses attention on the Crucifixion after the flashback to Jesus’ infancy in ll. 1-5; other mss have af móður ‘by the mother’ instead of á krossin, and this unlikely reading has been followed by Skj B and Skald. There is no tradition of Jesus being led from his mother, and the phrase makes little sense in context, whereas the concept of him being ‘led’ to the Cross is familiar from the gospels (Matt. XXVII.31, Mark XV.20, Luke XXIII.26, John XVIII.28), where it echoes the Old Testament image of the lamb led to the slaughter (Isa. LIII.7 and Jer. XI.19, quoted in Acts VIII.32). The image of the crucified Christ’s arms opened to embrace is a common topos in medieval devotional literature. Cf. the Icel. homily for the Feast of the Holy Cross: Rétte haɴ fra ſér báþar hendr a croſſenom. þuiat haɴ býþr faþm miſcvɴar ſiɴar. ꜵʟ þeim er haɴ elſca ‘He stretches both his arms on the cross, because he offers the embrace of his mercy to all those whom he loves’ (HómÍsl 1993, 17v) and the C13th penitential hymn Memorans novissima: Caput habet pendulum / ad te deosculandum / et extenta brachia / te ad amplexandum ‘He holds his head pendulously in order to kiss you, and extends his arms to embrace you’ (AH 46, 342). This idiom also appears with a different sense in 16/3 as well as in several ON prose works. See Kommentar 2000, III, 570-2. In Stjórn it is used in a discussion of how to catch a unicorn: þa setia menn eina skæra ok uskadda iungfru moti þi dyri, huer er sinn fadm skal breida moti þi ‘then men place a pure and untarnished virgin before the animal, who shall open her embrace to it’ (Unger 1860, 70).

Close

breiddi ‘he opened’

(not checked:)
breiða (verb; °-dd-): open, grow

notes

[6] leiddr á krossinn, faðminn breiddi ‘led onto the cross, he opened his embrace’: The reading of Bb, which conforms to the rhetorical pattern of the rest of the st. and refocuses attention on the Crucifixion after the flashback to Jesus’ infancy in ll. 1-5; other mss have af móður ‘by the mother’ instead of á krossin, and this unlikely reading has been followed by Skj B and Skald. There is no tradition of Jesus being led from his mother, and the phrase makes little sense in context, whereas the concept of him being ‘led’ to the Cross is familiar from the gospels (Matt. XXVII.31, Mark XV.20, Luke XXIII.26, John XVIII.28), where it echoes the Old Testament image of the lamb led to the slaughter (Isa. LIII.7 and Jer. XI.19, quoted in Acts VIII.32). The image of the crucified Christ’s arms opened to embrace is a common topos in medieval devotional literature. Cf. the Icel. homily for the Feast of the Holy Cross: Rétte haɴ fra ſér báþar hendr a croſſenom. þuiat haɴ býþr faþm miſcvɴar ſiɴar. ꜵʟ þeim er haɴ elſca ‘He stretches both his arms on the cross, because he offers the embrace of his mercy to all those whom he loves’ (HómÍsl 1993, 17v) and the C13th penitential hymn Memorans novissima: Caput habet pendulum / ad te deosculandum / et extenta brachia / te ad amplexandum ‘He holds his head pendulously in order to kiss you, and extends his arms to embrace you’ (AH 46, 342). This idiom also appears with a different sense in 16/3 as well as in several ON prose works. See Kommentar 2000, III, 570-2. In Stjórn it is used in a discussion of how to catch a unicorn: þa setia menn eina skæra ok uskadda iungfru moti þi dyri, huer er sinn fadm skal breida moti þi ‘then men place a pure and untarnished virgin before the animal, who shall open her embrace to it’ (Unger 1860, 70).

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breiddr ‘arms opened’

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breiða (verb; °-dd-): open, grow

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á ‘on’

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3. á (prep.): on, at

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krossinn ‘the cross’

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kross (noun m.; °-, dat. -i; -ar): cross, crucifix

[7] krossinn: kross og 99a, 622, 705ˣ

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gumna ‘men’

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gumi (noun m.; °-a; gumar/gumnar): man

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græddi ‘he healed’

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grœða (verb): heal

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græddi ‘healed’

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grœða (verb): heal

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en ‘but’

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2. en (conj.): but, and

[8] en: þá er 99a, af 622, er 713, þá Vb, 41 8°ˣ, 705ˣ

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helstríð ‘agony’

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helstríð (noun n.): [agony]

[8] helstríð: sóttum 622

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mæddi ‘harmed’

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2. mœða (verb): weary

[8] mæddi: fæddi 99a, mædda 622

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Interactive view: tap on words in the text for notes and glosses

This summarizing st. exhibits anadiplosis as well as climax or gradatio and polyptoton: see Note on 49/1-4 and cf. st. 66. The consistent end rhyme reflects the influence of the Lat. hymn tradition. The image of enclosure in the first helmingr contrasts with that of Christ’s opened arms in the second (see Laugesen 1966, 297-8). — [1]: Cf. st. 28. — [2]: Cf. Luke I.46-7: Og Maria sagdi / Ond min mycklar dróttinn / og gladdizt andi minn i gudi heilsu giafara minum ‘And Mary said: My soul doth magnify the Lord / And my spirit hath rejoiced in God my Saviour’ (Hið Nya Testament 1540 [Sigurður Nordal 1933]). — [3]: Medieval authors loved this paradox: cf. the hymn Patrem parit filia ‘The Daughter Bears the Father’ (AH 20, 221). — [4]: Cf. st. 35/1-4. — [7-8]: Laugesen identifies in these ll. the figure versus caudati ventrini: the ll. rhyme at the end of each colon (Laugesen 1966, 298; see Everard’s Laborintus, ed. Faral 1924, ll. 717-20; NB l. 721 is misnumbered as 720). — [8]: The paradox is a well-known topos. Cf. Isa. LIII.5: ipse autem vulneratus est propter iniquitates nostras adtritus est propter scelera nostra disciplina pacis nostrae super eum et livore eius sanati sumus ‘But he was wounded for our iniquities, he was bruised for our sins: the chastisement of our peace was upon him, and by his bruises we are healed’.

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