Margaret Clunies Ross (ed.) 2017, ‘Bragi inn gamli Boddason, An exchange of verses between Bragi and a troll-woman 1’ in Kari Ellen Gade and Edith Marold (eds), Poetry from Treatises on Poetics. Skaldic Poetry of the Scandinavian Middle Ages 3. Turnhout: Brepols, p. 64.
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skáld (noun n.; °-s; -): poet
[1] kalla mik skald ‘they call me poet’: The verbal and conceptual structure of Bragi’s stanza mirrors the troll-woman’s. As with l. 1 of her stanza, the interpretation of Bragi’s l. 1 could be kalla mik skald ‘they call me poet’, as here, with the following list of kennings as complement of the object, or skǫld kalla mik ‘poets call me …’. The latter sense requires emendation of all mss’ skald to skǫld, as in Skj B.
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kalla (verb): call
[1] kalla mik skald ‘they call me poet’: The verbal and conceptual structure of Bragi’s stanza mirrors the troll-woman’s. As with l. 1 of her stanza, the interpretation of Bragi’s l. 1 could be kalla mik skald ‘they call me poet’, as here, with the following list of kennings as complement of the object, or skǫld kalla mik ‘poets call me …’. The latter sense requires emendation of all mss’ skald to skǫld, as in Skj B.
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ek (pron.; °mín, dat. mér, acc. mik): I, me
[1] kalla mik skald ‘they call me poet’: The verbal and conceptual structure of Bragi’s stanza mirrors the troll-woman’s. As with l. 1 of her stanza, the interpretation of Bragi’s l. 1 could be kalla mik skald ‘they call me poet’, as here, with the following list of kennings as complement of the object, or skǫld kalla mik ‘poets call me …’. The latter sense requires emendation of all mss’ skald to skǫld, as in Skj B.
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skip (noun n.; °-s; -): ship < skipsmíð (noun f.)
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1. skap (noun n.; °-s; *-): mind, fate < skapsmiðr (noun m.)1. skap (noun n.; °-s; *-): mind, fate < skapskíð (noun n.): mind-ski
[2] skapsmið: so Tˣ, U, A, skapskíð R, skipsmið C
[2] skapsmið ‘mind-smith’: The base-word of an inverted tvíkent kenning for ‘poet’, with one of Óðinn’s names as determinant, the allusion being to the myth of how Óðinn obtained the mead of poetry from the giant Suttungr and then made it available in regurgitated form for the gods and talented human poets (cf. SnE 1998, I, 3-5). ‘Óðinn’s mind’ (or thought) is thus the mead of poetry itself. This myth is also the basis of the inverted kennings for ‘poet’, as Óðinn’s gift-getter and his ale-server, in ll. 3 and 5, Óðinn’s gift and his ale referring to the mead of poetry. Bragi’s references to the mead myth, with its creative alimentary associations, nicely counter the destructive alimentary references in the troll-woman’s kennings (Anon (SnE) 9/3, 7). Skap- (< skapa ‘create’) may possibly have the sense ‘creating, creative’ here (as it probably does in skap-Móði, l. 6) rather than ‘thought, mind’, in which case the kenning would not be inverted, and Viðurs would have the sense ‘belonging to, associated with Viðurr’, as god of poetry. Ms. R reads skapskíð ‘mind (or ‘creating’)-ski’ against the majority mss’ skapsmið. Skíð would then have to be a base-word of a man-kenning, but most uses of this word in skaldic verse refer to objects (e.g. ships, swords) rather than humans. Ms. C reads skipsmið ‘ship-smith’, a lectio facilior, possibly influenced by poetry-kennings of the type skip dverga ‘dwarfs’ ship’ (SnE 1998, I, 11).
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1. skap (noun n.; °-s; *-): mind, fate < skapsmiðr (noun m.)1. skap (noun n.; °-s; *-): mind, fate < skapskíð (noun n.): mind-ski
[2] skapsmið: so Tˣ, U, A, skapskíð R, skipsmið C
[2] skapsmið ‘mind-smith’: The base-word of an inverted tvíkent kenning for ‘poet’, with one of Óðinn’s names as determinant, the allusion being to the myth of how Óðinn obtained the mead of poetry from the giant Suttungr and then made it available in regurgitated form for the gods and talented human poets (cf. SnE 1998, I, 3-5). ‘Óðinn’s mind’ (or thought) is thus the mead of poetry itself. This myth is also the basis of the inverted kennings for ‘poet’, as Óðinn’s gift-getter and his ale-server, in ll. 3 and 5, Óðinn’s gift and his ale referring to the mead of poetry. Bragi’s references to the mead myth, with its creative alimentary associations, nicely counter the destructive alimentary references in the troll-woman’s kennings (Anon (SnE) 9/3, 7). Skap- (< skapa ‘create’) may possibly have the sense ‘creating, creative’ here (as it probably does in skap-Móði, l. 6) rather than ‘thought, mind’, in which case the kenning would not be inverted, and Viðurs would have the sense ‘belonging to, associated with Viðurr’, as god of poetry. Ms. R reads skapskíð ‘mind (or ‘creating’)-ski’ against the majority mss’ skapsmið. Skíð would then have to be a base-word of a man-kenning, but most uses of this word in skaldic verse refer to objects (e.g. ships, swords) rather than humans. Ms. C reads skipsmið ‘ship-smith’, a lectio facilior, possibly influenced by poetry-kennings of the type skip dverga ‘dwarfs’ ship’ (SnE 1998, I, 11).
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skíð (noun n.; °; -): ski < skapskíð (noun n.): mind-ski
[2] skapsmið: so Tˣ, U, A, skapskíð R, skipsmið C
[2] skapsmið ‘mind-smith’: The base-word of an inverted tvíkent kenning for ‘poet’, with one of Óðinn’s names as determinant, the allusion being to the myth of how Óðinn obtained the mead of poetry from the giant Suttungr and then made it available in regurgitated form for the gods and talented human poets (cf. SnE 1998, I, 3-5). ‘Óðinn’s mind’ (or thought) is thus the mead of poetry itself. This myth is also the basis of the inverted kennings for ‘poet’, as Óðinn’s gift-getter and his ale-server, in ll. 3 and 5, Óðinn’s gift and his ale referring to the mead of poetry. Bragi’s references to the mead myth, with its creative alimentary associations, nicely counter the destructive alimentary references in the troll-woman’s kennings (Anon (SnE) 9/3, 7). Skap- (< skapa ‘create’) may possibly have the sense ‘creating, creative’ here (as it probably does in skap-Móði, l. 6) rather than ‘thought, mind’, in which case the kenning would not be inverted, and Viðurs would have the sense ‘belonging to, associated with Viðurr’, as god of poetry. Ms. R reads skapskíð ‘mind (or ‘creating’)-ski’ against the majority mss’ skapsmið. Skíð would then have to be a base-word of a man-kenning, but most uses of this word in skaldic verse refer to objects (e.g. ships, swords) rather than humans. Ms. C reads skipsmið ‘ship-smith’, a lectio facilior, possibly influenced by poetry-kennings of the type skip dverga ‘dwarfs’ ship’ (SnE 1998, I, 11).
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Viðurr (noun m.): Viðurr
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Viðurr (noun m.): Viðurr
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gaukr (noun m.; °dat. -): cuckoo
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gjǫf (noun f.): gift < gjafrǫtuðr (noun m.)
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gjǫf (noun f.): gift < gjafrǫtuðr (noun m.)
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rǫtuðr (noun m.): [getter] < gjafrǫtuðr (noun m.)
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greppr (noun m.; °; -ar): poet, man
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óhneppr (adj.): not meagre, unscanty
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1. Yggr (noun m.): Yggr
[5] Yggs ‘of Yggr’s <= Óðinn’s>’: Ms. R has ‘vggs’ (Yggs all other mss), which is not a variant reading but another example (cf. Bragi Frag 5/4) of the scribe’s occasional alternation of <u/v> and <y> spellings (see SnE 1998, I, liv).
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1. Yggr (noun m.): Yggr
[5] Yggs ‘of Yggr’s <= Óðinn’s>’: Ms. R has ‘vggs’ (Yggs all other mss), which is not a variant reading but another example (cf. Bragi Frag 5/4) of the scribe’s occasional alternation of <u/v> and <y> spellings (see SnE 1998, I, liv).
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ull (noun f.; °-ar, dat. -u): [wool] < ullberi (noun m.): wool-bearer
[5] ǫlbera: ullbera C
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1. óðr (noun m.): poem
[6] skap-Móða óðs ‘creating-Móði <god> of poetry’: This is clearly a kenning for poetry (óðr covering the semantic range ‘mind, fury, frenzy, poetry, poem’) and thus suggestive of poetic inspiration. The element skap- probably reinforces this idea (see Note to l. 2 above), but Móði is a little unexpected as a mythological base-word, if the name denotes Þórr’s son of that name, as he is nowhere associated with poetry. However, the name’s etymological sense (cf. móðr ‘mood, anger, rage’) fits the context well. Móði is recorded as the base-word of man-kennings in skaldic verse and once (Þmáhl Máv 2/2V (Eb 4)) as the base-word of a kenning for ‘poet’, Móði bragar ‘the Móði of poetry’.
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3. sparr (adj.): [bereft]
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2. skapa (verb): form < skapmóði (noun m.)2. skapa (verb): form
[6] skap‑Móða: ‘sparmoða’ U, ‘skapmoðin’ A
[6] skap-Móða óðs ‘creating-Móði <god> of poetry’: This is clearly a kenning for poetry (óðr covering the semantic range ‘mind, fury, frenzy, poetry, poem’) and thus suggestive of poetic inspiration. The element skap- probably reinforces this idea (see Note to l. 2 above), but Móði is a little unexpected as a mythological base-word, if the name denotes Þórr’s son of that name, as he is nowhere associated with poetry. However, the name’s etymological sense (cf. móðr ‘mood, anger, rage’) fits the context well. Móði is recorded as the base-word of man-kennings in skaldic verse and once (Þmáhl Máv 2/2V (Eb 4)) as the base-word of a kenning for ‘poet’, Móði bragar ‘the Móði of poetry’.
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Móði (noun m.): Móði < skapmóði (noun m.)
[6] skap‑Móða: ‘sparmoða’ U, ‘skapmoðin’ A
[6] skap-Móða óðs ‘creating-Móði <god> of poetry’: This is clearly a kenning for poetry (óðr covering the semantic range ‘mind, fury, frenzy, poetry, poem’) and thus suggestive of poetic inspiration. The element skap- probably reinforces this idea (see Note to l. 2 above), but Móði is a little unexpected as a mythological base-word, if the name denotes Þórr’s son of that name, as he is nowhere associated with poetry. However, the name’s etymological sense (cf. móðr ‘mood, anger, rage’) fits the context well. Móði is recorded as the base-word of man-kennings in skaldic verse and once (Þmáhl Máv 2/2V (Eb 4)) as the base-word of a kenning for ‘poet’, Móði bragar ‘the Móði of poetry’.
[7] hagsmið bragar ‘skilled smith of poetry’: This is the reading of all mss except R, which has hagskíð, lit. ‘skilled ski’. The R scribe also wrote -skíð in l. 2, against all other mss’ ‑smið. The concept of the poet as a skilled craftsman was fundamental to skaldic self-image (cf. Clunies Ross 2005a, 84-91), just as that of the poet as recipient of Óðinn’s mead was, and, in this stanza, Bragi begins with the one and ends with the other, a powerful riposte to the troll-woman’s threat of death and cosmic destruction.
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skíð (noun n.; °; -): ski < hagskíð (noun n.): ?skilled ski
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smiðr (noun m.; °-s, dat. -i/-; -ar/-ir, acc. -a/-i/-u): smithy, something crafted < hagsmiðr (noun m.)
[7] ‑smið: so all others, ‑skíð R
[7] hagsmið bragar ‘skilled smith of poetry’: This is the reading of all mss except R, which has hagskíð, lit. ‘skilled ski’. The R scribe also wrote -skíð in l. 2, against all other mss’ ‑smið. The concept of the poet as a skilled craftsman was fundamental to skaldic self-image (cf. Clunies Ross 2005a, 84-91), just as that of the poet as recipient of Óðinn’s mead was, and, in this stanza, Bragi begins with the one and ends with the other, a powerful riposte to the troll-woman’s threat of death and cosmic destruction.
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bragr (noun m.; °-ar): poem, poetry
[7] hagsmið bragar ‘skilled smith of poetry’: This is the reading of all mss except R, which has hagskíð, lit. ‘skilled ski’. The R scribe also wrote -skíð in l. 2, against all other mss’ ‑smið. The concept of the poet as a skilled craftsman was fundamental to skaldic self-image (cf. Clunies Ross 2005a, 84-91), just as that of the poet as recipient of Óðinn’s mead was, and, in this stanza, Bragi begins with the one and ends with the other, a powerful riposte to the troll-woman’s threat of death and cosmic destruction.
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2. vera (verb): be, is, was, were, are, am
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skáld (noun n.; °-s; -): poet
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2. nema (conj.): unless
Interactive view: tap on words in the text for notes and glosses
Skald kalla mik, |
They call me poet, smith of Viðurr’s <= Óðinn’s> mind [(lit. ‘Viðurr’s mind-smith’) POETRY > POET], getter of Gautr’s <= Óðinn’s> gift [(lit. ‘Gautr’s gift-getter’) POETRY > POET], unscanty poet, server of Yggr’s <= Óðinn’s> ale [(lit. ‘Yggr’s ale-server’) POETRY > POET], creating-Móði <god> of poetry [POET], skilled smith of poetry [POET]. What’s a poet if not that?
See Introduction above and Context to Anon (SnE) 9, to which this stanza is the riposte. In R and C (which have the troll-woman’s stanza in whole or in part), this one follows immediately upon hers, with the introductory prose, Hann svarar svá ‘He answers thus’. All mss that record this stanza preface it with some version of the prose account of Bragi’s encounter with the troll-woman, as he drove through a forest late one evening (for full prose text, see Context to Anon (SnE) 9).
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