[All]: By naming the poem in the penultimate st., the poet is following the pattern of his two main models, Has (64/2) and Leið (44/8); cf. Anon Sól 81/4 and Lil 98/8.
References
- Internal references
- Katrina Attwood 2007, ‘ Anonymous, Leiðarvísan’ in Margaret Clunies Ross (ed.), Poetry on Christian Subjects. Skaldic Poetry of the Scandinavian Middle Ages 7. Turnhout: Brepols, pp. 137-78. <https://skaldic.org/m.php?p=text&i=1022> (accessed 25 April 2024)
- Carolyne Larrington and Peter Robinson (eds) 2007, ‘Anonymous Poems, Sólarljóð 81’ in Margaret Clunies Ross (ed.), Poetry on Christian Subjects. Skaldic Poetry of the Scandinavian Middle Ages 7. Turnhout: Brepols, p. 356.
- Katrina Attwood 2007, ‘ Gamli kanóki, Harmsól’ in Margaret Clunies Ross (ed.), Poetry on Christian Subjects. Skaldic Poetry of the Scandinavian Middle Ages 7. Turnhout: Brepols, pp. 70-132. <https://skaldic.org/m.php?p=text&i=1196> (accessed 25 April 2024)
- Martin Chase (ed.) 2007, ‘Anonymous Poems, Lilja 98’ in Margaret Clunies Ross (ed.), Poetry on Christian Subjects. Skaldic Poetry of the Scandinavian Middle Ages 7. Turnhout: Brepols, pp. 673-5.