[All]: The movement of the st., in which guð ‘God’ and the idea of mercy or grace appear in each helmingr, is from the aural image heyrn ‘hearing’ (l. 4) of the first half-st. to the visual líta ‘see’ (l. 6), skíni ‘shine’ (l. 8) of the second. Following upon the ‘tongue’s offences’ in the previous st., it is as if sound now resolves in quietude. The final word skíni ‘shine’ anticipates the light imagery of the next st., in which the verb skína is repeated (4/2).