[3] í sléttum hróðri ‘in the smooth praise-poem’: Cf. the poet’s prayer for a slétt óðarlag ‘smooth poem-form’ in 3/2. These comments on the ‘smoothness’ of the poem are presumably intended to call attention to its apparently effortless artistry, though in fact much about the poem is rather self-conscious. Cf. the introductions to the refrains in 13/1-4 and 25/1-4, the prayers for inspiration and a hearing which occupy almost half of the upphaf and the expression of gratitude to prestr… Rúnolfr in st. 43