Note to Gamlkan Has 21^VII

[All]: This st. represents the thematic centre of the poem, and introduces a haunting evocation of, and meditation on, the Crucifixion (sts 21-7), which focusses on Christ’s merciful response to the penitent thief. Gamli’s mastery and manipulation of the skaldic genre is clear as he simplifies both his diction and his w.o. from this point to exploit the full pathos of the scene in a stark narrative reproduced almost verbatim from the account of the Passion in the Gospel of Luke. As Fidjestøl (1993, 223) points out, Has is very carefully structured, and st. 21 is the beginning of the 25-st. stefjabálkr, which carries the central meditation, in contrast to the surrounding sermon material.

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Note to Gamlkan Has 21^VII