Note to stanza
[All]: A frequent motif in representations of the Harrowing of Hell is that of light – associated here with Christ through sól ‘sun’ (l. 6) and perhaps dægra láð ‘days’ land’ (l. 3) in the kennings – penetrating the darkness (myrkrum, dat. pl., l. 8) as it moves from the highest realm to the lowest. See, e.g., Niðrst1 I.7: Cristr ferr her nu oc rekr a braut meþ liose guþdoms sins dauþa myrcr... ‘Now Christ goes here and dispels the darkness of death with the light of his godhead...’ (Hms II, 6).
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