Anonymous Poems (Anon)
Kviðuháttr verses in praise of a Norwegian ruler (TGT 3) - 0
Málaháttr verses in praise of a Christian ruler (TGT 4) - 0
Stanzas from TGT put together by FJ (1) (TGT FJ 1) - 0
Verses about a battle (?Stiklarstaðir) (TGT 1) - 0
Verses about a woman (TGT 2) - 0
I. Flokkr about Sveinn Álfífuson (Sveinfl) - 1
I. Oddmjór (Oddm) - 1
I. 1. Eiríksmál (Eirm) - 9
I. 2. Liðsmannaflokkr (Liðs) - 10
I. 3. Óláfs drápa Tryggvasonar (Óldr) - 28
I. 4. Poem about Óláfr Tryggvason (Ól) - 7
II. 1. Haraldsstikki (Harst) - 1
II. 2. Nóregs konungatal (Nkt) - 85
II. 3. Poem about Magnús lagabœtir (Mlag) - 3
III. Málsháttakvæði (Mhkv) - 30
III. Máríuflokkr (Mfl) - 2
III. Poem about the Phoenix (Phoenix) - 1
III. 1. Bjarkamál in fornu (Bjark) - 7
III. 1. Bjúgar vísur (Bjúgvís) - 1
III. 1. Gnóðar-Ásmundar drápa (GnóðÁsm) - 1
III. 1. Nikulásdrápa (Nikdr) - 3
III. 2. Gátur (Gát) - 4
III. 2. Hafliðamál (Hafl) - 1
III. 2. Morginsól (Morg) - 1
III. 3. Kúgadrápa (Kúgdr) - 1
III. 3. Stríðkeravísur (Stríðk) - 1
IV. Bárðardrápa (Bárðdr) - 1
IV. Hafgerðingadrápa (Hafg) - 2
IV. Stanzas possibly attributable to Snorri Sturluson (SnSt) - 2
V. Darraðarljóð (Darr) - 11
V. Grettisfærsla (Grf) - 1
VII. Allra postula minnisvísur (Alpost) - 13
VII. Andréasdrápa (Andr) - 4
VII. Brúðkaupsvísur (Brúðv) - 33
VII. Drápa af Máríugrát (Mgr) - 52
VII. Gyðingsvísur (Gyð) - 10
VII. Heilagra manna drápa (Heil) - 26
VII. Heilagra meyja drápa (Mey) - 60
VII. Heilags anda drápa (Heildr) - 18
VII. Hugsvinnsmál (Hsv) - 151
VII. Lausavísa on Lawgiving (Law) - 1
VII. Leiðarvísan (Leið) - 45
VII. Lilja (Lil) - 100
VII. Líknarbraut (Líkn) - 52
VII. Máríudrápa (Mdr) - 43
VII. Máríuvísur I (Mv I) - 29
VII. Máríuvísur II (Mv II) - 24
VII. Máríuvísur III (Mv III) - 30
VII. Pétrsdrápa (Pét) - 54
VII. Plácitusdrápa (Pl) - 59
VII. Sólarljóð (Sól) - 83
VII. Stanzas Addressed to Fellow Ecclesiastics (Eccl) - 2
VII. Vitnisvísur af Máríu (Vitn) - 26
VIII. Krákumál (Krm) - 29
VIII. Sǫrlastikki (Sǫrl) - 1
not in Skj |
Líknarbraut (‘The Way of Grace’)
—
Anon LíknVII
George S. Tate 2007, ‘(Introduction to) Anonymous, Líknarbraut’ in Margaret Clunies Ross (ed.), Poetry on Christian Subjects. Skaldic Poetry of the Scandinavian Middle Ages 7. Turnhout: Brepols, pp. 228-86.
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Skj: Anonyme digte og vers [XIII]: C. 1. Líknarbraut (AII, 150-9, BII, 160-74)
SkP info: VII, 286 | |
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| 52 — Anon Líkn 52VII
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Cite as: George S. Tate (ed.) 2007, ‘Anonymous Poems, Líknarbraut 52’ in Margaret Clunies Ross (ed.), Poetry on Christian Subjects. Skaldic Poetry of the Scandinavian Middle Ages 7. Turnhout: Brepols, p. 286.
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Mæztr, lát merki crúcis,
minn lausnari, skína,
örr, í atferð várri
alla stund á grundu,
svá at eilífrar, jöfra,
óttlaust með þér, dróttinn,
eigniz æztan fögnuð
unaðs vistar lið kristit.
Mæztr, lát merki crúcis,
minn lausnari, skína,
örr, í atferð várri
alla stund á grundu,
svá at eilífrar, jöfra,
óttlaust með þér, dróttinn,
eigniz æztan fögnuð
unaðs vistar lið kristit.
Mæztr, örr lausnari minn, lát merki crúcis skína í várri atferð alla stund á grundu, svá at kristit lið eigniz óttlaust með þér, dróttinn jöfra, æztan fögnuð eilífrar vistar unaðs.
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My most glorious, bountiful Saviour, let the sign of the Cross shine in our conduct every hour on earth, so that the Christian host might obtain without fear along with you, {lord of princes}, [= God] the highest joy of the eternal abode of happiness. |
notes:
This prayer for the sign of the cross to shine in all our atferð ‘conduct’ is reminiscent of the first 45 ll. of Bonaventure’s famous poem (also C13th) Laudismus de sancta cruce (1882-1902, VIII, 667) in which the audience is exhorted to let the Cross be present in – and govern – body, tongue, heart, mouth, limbs, mind, meditation – in short, to be active in one’s whole conduct: In praeclara cruce stude / Et in ipsa te reclude / Magna cum laetitia ‘Desire to repose in the radiant Cross, and enclose yourself in it, with great gladness’ (43-5).
editions: Skj Anonyme digte og vers [XIII]: C. 1. Líknarbraut 52 (AII, 159; BII, 174); Skald II, 91, NN §2113; Sveinbjörn Egilsson 1844, 51, Rydberg 1907, 20, 53, Tate 1974, 97.
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