Data from Samnordisk runtextdatabas

login: password: stay logged in: help

Anonymous Poems (Anon)

VII. Líknarbraut (Líkn) - 52

Líknarbraut (‘The Way of Grace’) — Anon LíknVII

George S. Tate 2007, ‘(Introduction to) Anonymous, Líknarbraut’ in Margaret Clunies Ross (ed.), Poetry on Christian Subjects. Skaldic Poetry of the Scandinavian Middle Ages 7. Turnhout: Brepols, pp. 228-86.

stanzas:  1   2   3   4   5   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52 

Skj: Anonyme digte og vers [XIII]: C. 1. Líknarbraut (AII, 150-9, BII, 160-74)

SkP info: VII, 260-1

old edition introduction edition manuscripts transcriptions concordance search files

30 — Anon Líkn 30VII

edition interactive full text transcriptions old edition references concordance

 

Cite as: George S. Tate (ed.) 2007, ‘Anonymous Poems, Líknarbraut 30’ in Margaret Clunies Ross (ed.), Poetry on Christian Subjects. Skaldic Poetry of the Scandinavian Middle Ages 7. Turnhout: Brepols, pp. 260-1.

Krýp ek til kross, en glæpa
knosuð bönd af því losna,
óttafullr með öllu
innan brjósts frá þjósti.
Dýrt kveð ek hræddu hjarta
huggóðs drifit blóði
grams píslartré geisla
grundar sköpum bundinn.

 

Wholly fearful within my breast, I creep to the Cross away from anger, and the bonds of sin, torn thereby, are loosened. With a fearful heart, bound by fate, I address {the precious Passion-tree}, [CROSS] besprinkled with blood, {of the benevolent king {of the land of rays}}. [SKY/HEAVEN > = God (= Christ)]

notes: This st. marks the beginning of the poem’s several direct references to the liturgy for Good Friday, including the Adoration of the Cross (adoratio crucis) and the Reproaches (improperia) of Christ from the Cross (see sts 43-5), signalled by the phrase Mín þjóð ‘O my people’ 45/1, echoing the recurrent Popule meus of the rite. Between these two markers (sts 30 and 45), the poet draws occasional images from the two famous Cross hymns by Venantius Fortunatus (C6th), Pange lingua (sung during the Adoration) and Vexilla regis (the processional hymn at its conclusion); these allusions are pointed out in the Notes. On the history of the rite, see Römer 1955 and Schmidt 1956-7, II, 789-803; for Scandinavia, Gjerløw 1961 and Björkman 1957, 266-7, 282-5; on Líkn, Tate 1978.

editions: Skj Anonyme digte og vers [XIII]: C. 1. Líknarbraut 30 (AII, 155-6; BII, 168); Skald II, 89, NN §1393; Sveinbjörn Egilsson 1844, 44, Rydberg 1907, 16, 50-1, Tate 1974, 75.

sources

AM 757 a 4° (B) 11v, 48 - 11v, 50 (Líkn)  transcr.  image  image  image  image  image  
JS 399 a-b 4°x (399a-bx) -  
Runic data from Samnordisk runtextdatabas, Uppsala universitet, unless otherwise stated