Anonymous Poems (Anon)
Kviðuháttr verses in praise of a Norwegian ruler (TGT 3) - 0
Málaháttr verses in praise of a Christian ruler (TGT 4) - 0
Stanzas from TGT put together by FJ (1) (TGT FJ 1) - 0
Verses about a battle (?Stiklarstaðir) (TGT 1) - 0
Verses about a woman (TGT 2) - 0
I. Flokkr about Sveinn Álfífuson (Sveinfl) - 1
I. Oddmjór (Oddm) - 1
I. 1. Eiríksmál (Eirm) - 9
I. 2. Liðsmannaflokkr (Liðs) - 10
I. 3. Óláfs drápa Tryggvasonar (Óldr) - 28
I. 4. Poem about Óláfr Tryggvason (Ól) - 7
II. 1. Haraldsstikki (Harst) - 1
II. 2. Nóregs konungatal (Nkt) - 85
II. 3. Poem about Magnús lagabœtir (Mlag) - 3
III. Málsháttakvæði (Mhkv) - 30
III. Máríuflokkr (Mfl) - 2
III. Poem about the Phoenix (Phoenix) - 1
III. 1. Bjarkamál in fornu (Bjark) - 7
III. 1. Bjúgar vísur (Bjúgvís) - 1
III. 1. Gnóðar-Ásmundar drápa (GnóðÁsm) - 1
III. 1. Nikulásdrápa (Nikdr) - 3
III. 2. Gátur (Gát) - 4
III. 2. Hafliðamál (Hafl) - 1
III. 2. Morginsól (Morg) - 1
III. 3. Kúgadrápa (Kúgdr) - 1
III. 3. Stríðkeravísur (Stríðk) - 1
IV. Bárðardrápa (Bárðdr) - 1
IV. Hafgerðingadrápa (Hafg) - 2
IV. Stanzas possibly attributable to Snorri Sturluson (Stu) - 2
V. Darraðarljóð (Darr) - 11
V. Grettisfærsla (Grf) - 1
VII. Allra postula minnisvísur (Alpost) - 13
VII. Andréasdrápa (Andr) - 4
VII. Brúðkaupsvísur (Brúðv) - 33
VII. Drápa af Máríugrát (Mgr) - 52
VII. Gyðingsvísur (Gyð) - 10
VII. Heilagra manna drápa (Heil) - 26
VII. Heilagra meyja drápa (Mey) - 60
VII. Heilags anda drápa (Heildr) - 18
VII. Hugsvinnsmál (Hsv) - 151
VII. Lausavísa on Lawgiving (Law) - 1
VII. Leiðarvísan (Leið) - 45
VII. Lilja (Lil) - 100
VII. Líknarbraut (Líkn) - 52
VII. Máríudrápa (Mdr) - 43
VII. Máríuvísur I (Mv I) - 29
VII. Máríuvísur II (Mv II) - 24
VII. Máríuvísur III (Mv III) - 30
VII. Pétrsdrápa (Pét) - 54
VII. Plácitusdrápa (Pl) - 59
VII. Sólarljóð (Sól) - 83
VII. Stanzas Addressed to Fellow Ecclesiastics (Eccl) - 2
VII. Vitnisvísur af Máríu (Vitn) - 26
VIII. Krákumál (Krm) - 29
VIII. Sǫrlastikki (Sǫrl) - 1
not in Skj |
Lilja (‘Lily’)
—
Anon LilVII
Martin Chase 2007, ‘(Introduction to) Anonymous, Lilja’ in Margaret Clunies Ross (ed.), Poetry on Christian Subjects. Skaldic Poetry of the Scandinavian Middle Ages 7. Turnhout: Brepols, pp. 544-677.
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Skj: Eysteinn Ásgrímsson: Lilja (AII, 363-95, BII, 390-416)
SkP info: VII, 675-6 | |
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| 99 — Anon Lil 99VII
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Cite as: Martin Chase (ed.) 2007, ‘Anonymous Poems, Lilja 99’ in Margaret Clunies Ross (ed.), Poetry on Christian Subjects. Skaldic Poetry of the Scandinavian Middle Ages 7. Turnhout: Brepols, pp. 675-6.
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Sannri ást af sætu brjósti
sinni riett fyrir hjálp og minni
segi Máríu hverr, er heyrir
hennar vess, á diktan þessa,
því vera kann, að mærin minniz
mín, þá er liggi eg kvaldr í pínum;
berr mig þar til ván, á vörrum
víst ef lieki dominus tecum.
Sannri ást af sætu brjósti
sinni riett fyrir hjálp og minni
segi Máríu hverr, er heyrir
hennar vess, á diktan þessa,
því vera kann, að mærin minniz
mín, þá er liggi eg kvaldr í pínum;
berr mig þar til ván, á vörrum
víst ef lieki dominus tecum.
Sannri ást af sætu brjósti, fyrir hjálp sinni og minni, segi hverr, er heyrir á þessa diktan, riett Máríu hennar vess, því vera kann, að mærin minniz mín, þá er eg liggi kvaldr í pínum; ván berr mig þar til, ef Dominus tecum lieki víst á vörrum.
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With true love from a sweet breast, for the sake of his own salvation and mine, may whoever listens to this poem say clearly to Mary her verse, because it can happen that the maid will remember me, when I lie plagued by torments; I have hope of that, if Dominus tecum ‘The Lord is with you’ certainly plays on my lips. |
notes: Vb and 41 8°ˣ conclude the drápa with the first helmingr of this st. followed by the two stef (‘Æfinliga . . . þinni’ and ‘Sé þér dýrð . . . aldri’). Hill 1970 detects a triangular pattern within the circular structure of the poem: Christ is born in st. 33, the Atonement is completed in st. 66, and the poem ends in st. 99. The naming of the poem in st. 98 highlights this triple-duple, triangular-circular pattern (see Note to st. 98/8). Hill sees in the conflation of the two numerical patterns (a circular one based on 100 and a triangular one based on ninety-nine), ‘the emblem of the circular triangle ... frequently used as an emblem of the Trinity’ (1970, 564-5). He cites as analogues a passage from the Roman de la Rose (de Lorris and de Meun 1914-25, ll. 19124-45; de Lorris and de Meun 1962, 405-6) and a Nativity hymn attributed to Philippe de Grꜵves (AH 20, 88) in support of this view. — [3-4]: Cf. the verbal parallel in Has 64/5-8.
editions: Skj Eysteinn Ásgrímsson: Lilja 99 (AII, 395; BII, 416); Skald II, 228, NN §3319.
sources
| Holm perg 1 fol (Bb) |
116vb, 18 - 116vb, 23 |
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| AM 99 a 8° (99a) |
19v, 8 - 19v, 15 |
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| AM 622 4° (622) |
41, 6 - 41, 10 |
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| AM 713 4° (713) |
15, 6 - 15, 8 |
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| Vísnabók (Vb) |
256 - 256 [1-4] |
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| DKNVSB 41 8°x (41 8°x) |
136, 9 - 136, 11 [1-4] |
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| AM 705 4°x (705x) |
24r - 24r |
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| BLAdd 4892 (4892) |
40v - 40v [1-4] |
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